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DesignPacific Interview

Tropicalising IKEA: Marina Kereklidou on Adapting Swedish Design to Southeast Asian Sensibilities

From cooler fabrics to modular solutions for compact spaces, IKEA Thailand's Head of Design explains how the global giant embraces local living and sustainable sourcing.

By Victor SantosLuxury CorrespondentUpdated 25 September 20264 min read0
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Tropicalising IKEA: Marina Kereklidou on Adapting Swedish Design to Southeast Asian Sensibilities
Photo: radkuch.13 / flickr (CC BY)

BANGKOK – The air inside IKEA Bangna, despite the relentless midday sun outside, is a sanctuary of climate control, yet subtle cues immediately signal a departure from its colder climate counterparts. While the ubiquitous Billy bookcase stands firm, the fabric on the Kivik sofa feels lighter, the woven patterns on the rugs more open, and the displays feature more rattan and bamboo than one might expect from a brand synonymous with Scandinavian pine. This isn’t an accident. It's the deliberate work of individuals like Marina Kereklidou, Head of Design for IKEA Thailand, who is tasked with translating a global design ethos into the nuanced realities of tropical Asian living.

Meeting Kereklidou in a tastefully arranged, sun-drenched showroom vignette – a 30-square-meter mock-up designed for a Bangkok condominium – her passion for this intricate adaptation is palpable. “Our core democratic design principles remain,” she begins, her voice calm but authoritative, “function, form, quality, sustainability, and low price. But how they manifest? That’s where Asia provides a fascinating challenge and immense opportunity.” She gestures around the compact space, showcasing clever storage solutions and an abundance of natural materials. “Take heat and humidity. A plush velvet sofa might be a dream in Stockholm, but here, it's impractical. We’re constantly exploring cooler, breathable fabrics – linens, cottons, even synthetic blends that mimic natural fibres without trapping heat. We also push for materials that withstand constant exposure to sunlight and high moisture, like treated woods or certain plastics, ensuring longevity.”

Kereklidou highlights the unique living dynamics of Southeast Asia, particularly Thailand. “Urbanisation is rapid, and space is a premium. Many live in multi-generational homes or smaller apartments. This drives our focus on modularity and multi-functional furniture.” She points to a bed frame with integrated storage and a dining table that doubles as a workspace. “It’s about maximising every square inch, providing smart solutions that don’t compromise on aesthetics or comfort. We observe local habits meticulously – the way people entertain, store their belongings, even how they relax – and feed that directly into product development.” This involves extensive home visits and user research, often bringing local designers into the fold to better understand the domestic landscape.

The Sustainability Imperative and Local Sourcing

Beyond adapting to climate and living spaces, IKEA Thailand is making significant strides in sustainable local sourcing. Kereklidou is particularly animated when discussing this aspect. “Sustainability isn't just a buzzword for us; it’s woven into our supply chain,” she asserts. “Globally, IKEA aims for 100% renewable energy by 2030 and circularity in all products. In Thailand, we’re seizing the opportunity to leverage the region’s rich natural resources responsibly.”

"We're not just selling furniture; we're selling a way of life that respects both the planet and the unique cultural identity of our customers."

She cites their collaboration with local artisans and producers, especially for materials like rattan, bamboo, and water hyacinth. “We’ve invested in developing local capacities for these materials, not just importing finished goods. This creates employment, supports local communities, and reduces our carbon footprint by shortening supply chains.” The Pacific Press, in previous reports, has noted the challenges of maintaining consistent quality and scale with local artisan networks. Kereklidou acknowledges this, but offers a pragmatic view: “It’s a long-term commitment. We work closely with our partners, providing training and technical support to meet our stringent quality standards. It’s a journey of mutual growth, not just procurement.” She reveals that a significant portion of their decorative accessories and even some larger furniture pieces now incorporate locally sourced, sustainable materials, often accounting for upwards of 15-20% of store offerings in certain categories, a figure set to grow.

Challenging Perceptions and Future Directions

Kereklidou also touches on the challenge of shifting consumer perceptions. While IKEA is celebrated for affordability, she wants to ensure the depth of their design adaptation and sustainability efforts are equally recognised. “Sometimes people see IKEA and think ‘global standard product.’ We want them to see ‘thoughtful design for your home, your climate, your lifestyle,’ and recognise the local hands involved.” She believes that by showcasing these locally adapted and sourced products prominently, they can better communicate the brand's evolving identity in the region.

Looking ahead, Kereklidou envisions an even deeper integration. “The next frontier is customisation and hyper-local solutions. Perhaps even more direct collaborations with Thai designers on collections that are entirely conceptualised and produced within the region, reflecting an even more authentic Southeast Asian aesthetic.” As the tropical sun finally begins its slow descent, casting long shadows across the showroom floor, it’s clear that IKEA Thailand, under Kereklidou's guidance, is not just retailing furniture; it’s actively weaving itself into the fabric of local life, one breathable fabric and rattan basket at a time.

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